Honorary Award from the Croatian 'Evening Newspaper - Večernji list' in Bad Homburg, Germany. <em>Golden sounds of the saxophone, Berliner Morgenpost, 2008
</em> at the concert of Bobby Solo - several-time winner of the San Remo festival Moment captured from the final rehearsal in Opatija

WELCOME TO THE OFFICIAL HOMEPAGE

OF SAXOPHONIST MATEO GRANIĆ

SAXOPHONE IN THE | MUSIC OF ART

Dear visitors, music friends, saxophone lovers!

Wellcome in the world of saxophone!

With this homepage and indeed as a lifelong passion, I would like to hone in on the instrument saxophone, and present how it was imagined and designed by its inventor Adolphe Sax, as well as how composers Berlioz, Meyerbeer, Rossini, Puccini, Massanet, Bizet and many others from this period experienced and listened to the instrument--and not how the saxophone is however widespread in the contemporary consciousness.

As a saxophone player I have often found that as soon as I introduce myself as such, an immediate and automatic association formed with rock' n roll, jazz, or pop musicians.

This image of the saxophone, which finds itself deeply imbedded in the consciousness of the majority of people, differentiates itself entirely from the original ideal sound toward which the saxophone aspired however. The quality of jazz or pop saxophone as such is not going to be topic of discussion here, for, it allows for only two possibilities of the instrument in all the forms of music.

Is it not regrettable that the ideal of Adolphe Sax is entirely unknown?

One of the main differences between the jazz and the classical saxophone lies in the following, that jazz musicians belong to the category of brass instrument, while it is figured as a woodwind in the classical world. The embouchure, mouthpiece, reeds, and the way in which they are held and played, are each and every way totally different; indeed the sound is also different altogether. (As you can hear in the background ;-)

Nowadays, where there exists a preponderance of literature on the classical saxophone, it is definitely high time that the saxophone be brought from this 'metamorphosed' condition back to its original and primary ideal, as it was perceived by all the highest-class and respected musicians directly after its discovery--the saxophone, which would appear for so many in a totally 'new' light.

The instrument saxophone and its tones sounded quite different in Sax's time, Giacomo Rossini meinte damals, claimed at the time that he had never heard a more beautiful sound than that of the saxophone!

With its deep tones that sound so mysterious and celebratory, so resounding and powerful like an organ, the other tones come together in the higher register, soft, gentle, melancholic and sad, all the way to the area of the human voice, all the shades and nuances of the sound which, contrary to other instruments, can be modified much better.

This tone of the instrument saxophone, so original, excellent and unique with its natural rich tone color, can produce all levels and dynamic; from the intensive fortissimo to the last pianissimo grade, which borders on pure calm.

With all its characteristics and possibilities, the saxophone has deserved to have its place alongside all the other symphonic instruments; it is the most interesting instrument of the 20th and 21st centuries and of our future, which constantly arouses the interest of composers in all areas of music.

MATEO'S TWO CENTS | ON CLASSICAL MUSIC OF TODAY

"All of classical music and the industry revolving around it is finding itself in a crisis. It has gotten to the point, I would say, that classical music has become a thing of the elite, a kind of jet-set that drives the public. My approach is different however. Music is indeed for all people. Yet classical music isn't treated as something that is theirs. The fact is nevertheless that all of this music and the masterpieces of classical music have their origins in traditional folk music. I see myself at the moment precisely in the role of Robin Hood, insofar as I take the past epoch melodies and through arrangements, return them back to the people from which they came, so that they can experience it in an accessible way. One need look no further than at the Hungarian dances of Brahms, the Liszt Orchestra piano fantasies based on Hungarian folk songs, Bizet's opera Carmen, Mozart's Alla Turca, or at Ravel's Bolero and many others. All of them are masterpieces and classical music hits and yet at the same time folk music, that came thus from the people themselves! The musical sensations I have, do I then transfer over onto the people, so that they can grasp it, for, I am one of them indeed--one of the people.
The one and only thing you have to do is to come to the concert, and the rest is all up to me!"
-Mateo Granić 2012 / Prof.MMag.

RECENT WORK

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RECENT & LAST PROJECTS

LET'S SAX IT UP!

MATEO GRANIĆ & VIENNA CLASSICAL CROSSOVER ORECHESTRA 02.12.2012 Sonday 16Uhr, ORANGERIE Schloss Schönbrunn Wien!

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RECORDING MEDIA

Musik für Saxophon und Klavier - Mateo Granić Saxophon & Zsuzsa Varga - Klavier

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Magician on the Saxophone & Vienna Classical Crossover Ensemble

Crystal Hall - Hotel Kvarner Opatija 2008.

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Mateo Granić & his Orchestra

Konzerte für OTP Bank in Pula, Opatija und Dubrovnik

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Bester kroatischer Musiker in Ausland 2010

Würdigungspreis der kroatischen Tageszeitung 'Abendzeitung' in Bad Homburg, Deutschland

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Konzert fürs Valentinstag

Konzert im Opatija Abazzia in Villa AngiolinaSaxophon & Klavier

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